Many episodes ended not with a space battle, but with the crew of the titular ship sitting around a table, eating together. The show was at once humane and incredibly melancholy. No, it's his short-lived cult sensation Firefly, a TV Western set in space that harked back to the scars left by the American Civil War. The entry in Avengers director Joss Whedon's canon that Age of Ultron most resembles isn't the first Avengers movie. Tony Stark (Robert Downey Jr.) unleashes Ultron upon the world. Yet in spite of those growing pains, this is a deeply felt, often very moving film - and one that seems incredibly personal to its creator, which is new territory for Marvel. Marvel is no longer content to create happy, good-time blockbusters it wants to make art, man, as evidenced by this film and the two that preceded it ( Captain America: The Winter Soldier and Guardians of the Galaxy).Īs with any shift in focus, growing pains are to be expected, and growing pains are certainly present in Age of Ultron. But long stretches of it are as good as anything Marvel Studios has produced, suggesting a bolder, more ambitious vision for the studio going forward. Not everything about Age of Ultron works, and it feels like a five-hour movie squished into half the time.
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